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《悲惨世界》关于音乐
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一言以蔽之,整部电影最富魅力的点是音乐剧改编,音乐唱词令人震撼;电影最大的限制也是音乐剧,音乐剧式的转场,音乐剧式的舞台,音乐剧式的人物,音乐剧式的渲染。很难想象一个电影导演能如此缺乏雄心。两个半小时里我只听见他呐喊着"我要把音乐剧搬上大荧幕!",可是难道不应该是"我要把悲惨世界的故事拍成电影"吗?
总之,即使卖点就只是翻拍音乐剧,我也认定电影不应仅仅是音乐剧的复刻,而悲惨世界的故事也不该仅仅是这样的复刻。The movie, the story deserves more.
惊讶大过惊喜,失望略超希望。
整场电影就是Hugh Jackman(Valjean)和Anne Hathaway(Fantine)个人魅力的舞台。连带还有那个让人惊喜的小革命者(Gavroche)。市长先生从污秽不堪的船坞抱走芳汀放在十几岁的少女眼里真是要融化世界,可我却一次又一次禁不住想现在背景里脸画的像小丑一样的其他妓女。多年以前她们或也是芳汀,只是不够美或恰好不是主角。隐秘的希望在我所不知的其他故事里她们也能是平凡英雄故事的主角,而不永远是聚光灯暗角上的影子背景。
改变一个人生命的方式很简单,只需要一点尊严,不需要太多面包。主教大人对于冉阿让的重塑就是尊严,宽容和爱。
悲惨世界,大概就意味着堕落的人物以及德性者的悲惨遭遇。
电影里最大的悲剧角色在我而言是贾维尔(Javert)和艾泊尼(Eponine)。Javert从贫民的世界里按照规则成功,他坚信上帝的荣耀和世俗的权杖是站在一起的;他坚信自己的严酷遵循的股则和法律是与上帝的意志,美德的指引一致的;直到冉阿让的出现,直到革命者的出现,他的信仰不可救药的崩塌了。而这正是生命不可承受的沉重。他总让我想起卡夫卡笔下流改营的少将,固守着旧世界的惩罚机器而不能与新的普世人权相容,从而只能自戮于崩坏的机器中,在"旧司令还会回来的"幻梦里死。
而Eponine,有什么能比一个为爱情心碎,甚至于献出生命的少女更美丽又悲惨的存在呢?那些独唱里喃喃自语的心事,存在于彼此眼里只有彼此的恋人身旁的影子,最终为所爱者献出生命。她出生卑贱,在邪恶的父母身边却出落成了这样一个纯洁的女孩,然而这样美好的心灵,终究也只能在死亡之后寻觅天堂。何等的悲惨!
“And now I'm all alone again
Nowhere to turn, no one to go to
Without a home, without a friend,
Without a face to say hello to.
And now the night is near
Now I can make believe he's here.
Sometimes I walk alone at night
When everybody else is sleeping
I think of him and then I'm happy
With the company I'm keeping
The city goes to bed
And I can live inside my head.
On my own
Pretending he's beside me
All alone, I walk with him till morning
Without him
I feel his arms around me
And when I lose my way I close my eyes
And he has found me
In the rain the pavement shines like silver
All the lights are misty in the river
In the darkness, the trees are full of starlight
And all I see is him and me for ever and forever
And I know it's only in my mind
That I'm talking to myself and not to him
And although I know that he is blind
Still I say, there's a way for us
I love him
But when the night is over
He is gone, the river's just a river
Without him the world around me changes
The trees are bare and everywhere
The streets are full of strangers
I love him
But every day I'm learning
All my life I've only been pretending
Without me his world will go on turning
A world that's full of happiness
That I have never known!
I love him
I love him
I love him
But only on my own.“
”A Little Fall of Rain
Don't you fret, M'sieur Marius
I don't feel any pain
A little fall of rain
Can hardly hurt me now
You're here, that's all I need to know
And you will keep me safe
And you will keep me close
And rain will make the flowers grow.”
而revolution失败后Marius悲歌的独白,在泪眼朦胧的我看来,太像是献给34年前悲剧。青年的血唤不起恐惧中的人民。
“There's a grief that can't be spoken.
There's a pain goes on and on.
Empty chairs at empty tables
Now my friends are dead and gone.
Here they talked of revolution.
Here it was they lit the flame.
Here they sang about `tomorrow'
And tomorrow never came.
From the table in the corner
They could see a world reborn
And they rose with voices ringing
I can hear them now!
The very words that they had sung
Became their last communion
On the lonely barricade at dawn.
Oh my friends, my friends forgive me
That I live and you are gone.
There's a grief that can't be spoken.
There's a pain goes on and on.
Phantom faces at the window.
Phantom shadows on the floor.
Empty chairs at empty tables
Where my friends will meet no more.
Oh my friends, my friends, don't ask me
What your sacrifice was for
Empty chairs at empty tables
Where my friends will sing no more.”
林徽因《哭三弟桓》写过,“而万千国人像已忘掉,你的死是为了谁!?”, 收拾血迹的女工们也唱着:
“Did you see them lying side by side?
Who will wake them?
No one ever will.
No one ever told them
That a summer day can kill.
They were schoolboys
Never held a gun...
Fighting for a new world
That would rise up like the sun.
Where's that new world now the fighting's done?
Nothing changes.
Nothing ever will.
Every year another brat, another mouth to fill.
Same old story. What's the use of tears?
What's the use of praying if there's nobody who hears?”
至于现在,物质的富足让人养成别扭的自尊心,让我们不愿意承认精神世界的奴役。这个让诗歌和歌曲里诘问的世界,何其悲惨!?
旅馆夫妇Théardier的唱词里总提到他们才是未来的主流,我是不信的。德性没那么容易崩落,这也算是我在悲惨世界里的信仰。
后记:
“悲惨世界的小说才刚刚开始看,但忘不了雨果写在序言里的话。
'只要因法律和习俗所造成的社会压迫还存在一天,在文明鼎盛时期人为地把人间变成地狱并使人类与生俱来的幸运遭受不可避免的灾祸;只要本世纪的三个问题——贫穷使男子潦倒,饥饿使妇女堕落,黑暗使儿童羸弱——还得不到解决;只要在某些地区还可能发生社会的毒害,换句话说,同时也是从更广的意义来说,只要这世界上还有愚昧和困苦,那么,和本书同一性质的作品都不会是无益的。——Victor Hugo'”
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