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《金衣女人》被纳粹掳走的画作如今挂着美国博物馆里

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  Simon Curtis’ legal drama, "Woman in Gold," is based on the true story of an American Jewish refugee from Austria who fights to reclaim a famous Gustav Klimt painting stolen from her family by the Nazis during World War II. It's a haunting film that speaks to the hearts of millions who have sought to reclaim their past, stripped from them 70 years ago. VOA's Penelope Poulou reports.
  
  导演西蒙.柯蒂斯的法律电影《金衣女人》是根据真实故事改编的。影片讲述了从奥地利逃亡的美籍犹太人为收回二战期间纳粹从她家掳走的明华艾蒂儿肖像一号而斗争的故事。这部让人难以忘怀的影片说出了千万想寻回70多年前被剥夺的一切的人的心声。
  
  Fifteen years ago, Maria Altman hired a young lawyer, a family friend, to help her sue the Austrian government to recover the painting, which was on display at the Belvedere Museum in Vienna, home to the world's largest Klimt collection.
  15年以前,Maria Altman雇佣了一位年轻律师帮助她向奥地利政府诉讼讨回名画。这幅画在维也纳的美景宫博物馆展出,这里拥有世界上最丰富的克林姆化作藏品。
  
  The film portrays the Austrian curator as an arrogant, unyielding man who refuses to return the painting to Altman because he believes the painting belongs to Austria.
  这部电影逼真的描绘了一位傲慢偏执的奥利拉博物馆馆长。他拒绝归还化作,以为他坚信这幅画属于奥地利。
  
  A local Austrian journalist tells Altman her chances of getting the painting back were infinitesimal because "Woman in Gold" was the Mona Lisa of Vienna. But for Altman, it was a family portrait of her Aunt Adele.
  一位奥地利记者告诉Altman她那会化作的机会非常小,因为这位“金色衣服的女士“是维也纳的蒙娜丽莎。但是对Altman来说,这幅画是她的阿姨Adele的家庭画像。
  Filmmaker Curtis intersperses flashbacks of the dramatic last days before Altman’s escape from Vienna during the Nazi rule in 1938, with scenes of the contemporary courtroom drama.
  影片制作人Curtis将纳粹统治的1938年Altman逃离维也纳前夜和当代法庭审判的场景交织呈现。
  
  Curtis’ film also addresses the much larger issue of victims’ need for justice rendered, even 70 years after the Holocaust.
  在这部影片里柯蒂斯同样强调了正义的审判对受害者的重要作用,即使是在大屠杀已经过70年后的现在。
  
  “One of the important messages in this film is that we must remember what happened,” he said. “The 21st century is a very complicated and unstable place right now, and it is important to remember some of the lessons and some of the terrible mistakes that were made in the 20th century.”
  影片传达的最重要的信息之一就是我们必须要记得曾经发生过什么。他说,“21世纪到了现在已经到了一个纷杂的、不稳定的阶段,记得过的教训、记起20世纪所犯下的可怕的错误是非常重要的。”
  
  Curtis says he took exceptional care to accurately depict scenes from the persecution of the Jews in Austria on the eve of WWII.
  柯蒂斯说他特别留心的准确展现了二战前夕奥地利对犹太人的迫害。
  
  “We did our best to be as authentic as possible when we were recreating the hideous events of 1938 Vienna. We actually recreated documentary photographs and video of the Germans coming to town, so we did our best to give it as an authentic feel as possible.”
  当我们在重现1938年在维也纳发生的可怕的事件时,我们尽力做到客观。我们的确重现了老照片和影像资料里德国人入侵城市的景象,我们尽量给出了客观的感受。
  10. Helen Mirren offers a textured performance as the refined and spirited octogenarian Maria Altman.
  Helen Mirren在片中精细的演绎了优雅坚强的老人Maria Altman
  Ryan Reynolds plays Randol Schoenberg, an untried attorney in international law at the time, who in 1998 took the case against Austria to the U.S. Supreme Court, and won. Today, Schoenberg is president of the Holocaust Museum in Los Angeles. He continues his efforts to reclaim art stolen from Jewish families.
  Ryan Reynolds 饰演 Schoenberg,一个当时在国际法辩护中并没有经验的年轻律师。他于1998年接下了此案向美国最高法庭诉讼奥地利政府,并取得了胜利。 Schoenberg如今是洛杉矶Holocaust博物馆的主席。他一直为帮助犹太家庭讨回被剥夺的艺术品而努力。
  
  “Immediately after the war, people didn’t concentrate on material things,” he explained. “It was rebuilding lives, finding loved ones, figuring out what had happened to them, so I think it did take time for these other issues to subside and for people to focus on the few things that they still could get back and art works are, seven decades later, one of the few things that we can still do something about.”
  “战争刚刚结束时,人民不关心物质,”他说,“生活需要重建,寻找爱人,探寻过究竟发生了什么。所以我想还需要时间平息一些事情,让人们关注那些他们还没有讨回的少数东西,而艺术品就属于70多年后我们仍然可以为之努力的少数东西。”
  
  The world's costliest artwork, Gustav Klimt's portrait of a Viennese lady from 1907 "Adele Bloch-Bauer I," left, hangs in New York's Neue Galerie Museum for German and Austrian Art after being unveiled by its new owner, cosmetics magnate Ronald Lauder, fa
  这全世界的无价之宝,Klimt与1907年画下的维也纳女士“明华艾蒂儿”如今被挂在纽约 Neue Galerie博物馆的德国与奥地利艺术馆,由化妆品大亨Ronald Lauder为期揭幕。
  
作者天使爱妖娥

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