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《真实魔鬼游戏》透过现象看裙底

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It's been a long time since I last saw a horror movie. Last week two GIF pictures have been spreading over the social network. If you're not a horror fan, be careful to check them out.
已经有点记不得上一次好好看一部恐怖片是什么时候了,是时候回归啦!上个星期,有两张GIF图在社交网络,主要是微博上传得很火,就出自本片。如果你不是个恐怖电影爱好者,要有个心理准备了,可能会引起不适。
I was a bit unexpected that Miss Plumeria would be interested in this. The start is very classical, a lot of girls chatting and laughing, you will notice the leading actress at the first sight because she must be doing something different from others. Don't be confused that they're wearing short skirts in winter, Japan is a mysterious nation after all. It's famous for manga, digital games and female culture, if I may say. The last one consists of two parts, the first one, you know what I'm talking about, another is based on school, however. Kawaii make-up, Mori girl style and others, otaku and uniform, all of them also influence widely too. Korean movie basically still play an edge ball while Japanese just show all, never try to hide anything. The background is a female school, it's unnecessary to care about visible panty line. But the audience include male and obviously it serves them. Of course this is about surface expressing, it lasts throughout the whole thing.
我还是有点惊讶鸡蛋妹会对这种感兴趣的,就找来一起看了。开头是非常日式经典的,一大群女孩说说笑笑地在路上,你应该一眼就能找出主角,因为她肯定会做些跟别人不大一样的事儿。看到日本姑娘们在冰天雪地里穿着水手裙,别大惊小怪的,毕竟岛国也是个神秘的国度。它们有三大出名的东西,动漫,电子游戏,还有女性文化,姑且这么说吧。这最后一项基本是由两大版块构成的,第一种你懂的,我不能在这儿说;另一种却是根植于校园的。萌萌的妆发打扮啦,森女系啦,宅男和制服啦,其实也都输出岛国,走向世界的,影响力之大不承认也不行。所以当韩国电影往往选择打擦边球的时候,日本电影都干脆给你看,从不遮着掩着。既然背景是一所女校,那何必在意走光露底的问题。关键是观众里好多男的啊,这些画面自然是为他们服务的。当然了,讨论了半天,这些只是表面的东西,而且风格贯穿了全片。
About the core, the idea of this story is not creative but attractive. Three actresses played the different steps of a same character, or should I say three versions? The first step, which exactly impressed us most visually, is brutal and primordial, isn't it? Don't you think it's just like the beginning of our lives? We don't even know why we fight, survival is an instinct. So after going through all the scaring process, we cry and go on to go ahead.
来说说作为内核的故事,其实这个立意并不新颖,但依然很有吸引力。三个女演员分饰同一个角色的三个阶段,或者我应该说三个版本是否更准确?第一阶段,也就是视觉上最刺激我们的第一段,野蛮又血腥对吧?难道不像我们生命的开始吗?我们甚至都没有意识,为什么要奋斗,但在母体中我们奋斗了,生存是一种原始的本能。所以在经历了可怕的一切后,我们哭着擦干净身上的血迹,继续前行。
We're still empty so we start accepting education, not only from the adult but also the peers. You come across both the people you like and the people you dislike. The limitation from the adult finally break out and push you so hard that you would taste the smell of blood from the competition again. You escape from the chaos and step into the next step. The people around you keep telling you, even yelling at you, you should choose the life you probably are not prepared to. This time, you couldn't resist any more, you try to revolt and the result would be another escape.
此刻的我们大多还是白纸,所以我们要开始接受有人在我们身上写写画画,这种教育不仅来自成年人也来自同龄人。你遇到喜欢的人,也遇到不那么喜欢的人,这些你都要经历。来自成人世界的限制最终爆发,那么猛烈地逼迫你,让你再一次尝到竞争的血腥味。你从混乱中逃走,仓皇地进入下一个阶段。围绕在你身边的人不停地告诉你,甚至朝你大喊大叫,他们似乎在决定你接下来要过怎样的生活,尽管这生活你可能闻所未闻。这次,你不再逆来顺受,你奋起反抗,结果是又一场逃亡。
The following step may last forever until your death. It seems that you find a path, the very exclusive path that you consider it ideal and practical. It may lead you to the truth of life. You think, you've already go across the mountain and ocean, go through the every possibility of life, this is it? The only thing that you find is a wretched old man. And he tell you everything about you is set down at the beginning. You decide to end up the destiny in desperate. Don't treat us as a marionette again! The declaration is spoken out by a girl from an entirely world that consists of female. It could be a feminism movie, and a movie about humanity as well.
接下来的阶段,可能会一直持续到死亡。似乎你终于找到了一条正轨,这条路如此得特立独行,你觉得这下总算是符合理想了,有意义了。你边跑边想,你已经跨过山和大海,看尽人世的希望和失望,总该在路的尽头有生命的真谛了吧?结果是这样吗?你最终找到的是一个猥琐的老头,拿着一个手柄,告诉你这一切早已像程序一样编好了,从一开始就注定如此。你怎么选择?你最后决定亲手结束自己的生命,在绝望中最后地反抗。不要再摆布我们了,不要再把我们当成提线木偶了!这句宣言,透过一个女孩喊出,这个女孩来自一个只有女性的世界。这可以是一部女权主义的电影,也同样可以是一部人性的电影。
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